Soapstone figure of Luohan ON HOLD
Height: 10.5cm China, Qing Dynasty, late 17th early 18th century Figure of a man is depicted with a very typical, smiling and serene expression. He is positioned on a red pierced base, holding two longevity peaches in his left hand. Very fine carving and detailing of the clothing together with a wise use of the natural stone color, assemble together nicely with the pair of fruits carved out of a red area of the stone. The robe of the figure is carved out in a light beige, yellowish color. A similar sculpture on display at the Metropolitan Museum in New York in gallery 219, under the accession number 2013.167 Read More
Polychrome ivory figure of a standing Luohan SOLD
Height: 34cm China, Qing dynasty, late 19th to early 20th century Finely carved and tinted ivory enhanced with fine black paint depicting motives on the clothes. Shown playing drum and smiling, on a very typical silver wire inlaid zitan base with green tinted ivory carved balusters, the top part of the stand adorned with cloisonné enamel contour. There is a complete set of eighteen “luohans” with similar characteristics and polychrome detailing (without stands) in the collection of the San Francisco Asian Art Museum in California.
Stucco head of Buddha Shakyamuni
Height: 22cm Pakistan, ancient region of Gandhara, 4th to 5th century Exquisite serene expression with almond shaped eyes, aquiline nose and slightly smiling fleshy mouth. Figure exhibits elongated earlobes, and the hairline is rendered by undulating locks with traces of polychromy and is surmounted by an ushnisha. The surface finely polished. A similar stucco head of Buddha is present in the collection of the Los Angeles County Museum of Art (LACMA) under the accession number M.55.1
Archaic bronze ritual wine vessel
Height: 22cm China, Late Shang to early Western Zhou dynasty, 12th to 10th century BC. The elongated body is surmounted by a trumpet neck with a flared mouth. The patina consists of a rich greenish tone with areas of malachite encrustation. Rich decor of taotie masks are present along the central part of the body, along with long wings covered with leiwen. The interior of the mouth is cast with a two character inscription.
Gilt lacquer bronze figure of a Guanyin ON HOLD
Height: 19cm China, Ming dynasty, 16th century Modeled figure is seated with both hands joined in the dhyana mudra, a dhoti tied above the waist; a simple triangle diadem beneath a cowl secures hair. The face has a very calm and contemplative expression. Areas of gilt lacquer are partly missing revealing a rich ruby red patina untertone.
Gilt bronze group of Zhong Kui and attendant ON HOLD
Height: 21cm China, Ming dynasty, 17th century Finished in solid plain casting, both figures standing on a rectangular base, Zhong Kui the vanquisher of ghost and evil beings in Chinese Mythology is holding a sword in his back and leaning onto a demon-like attendant. There is excellent detailing of the facial expressions for both the drunken demon killer and the excited demon.
Cloisonné tripod beehive water pot ON HOLD
Diameter: 12.2cm China, Ming dynasty, 16th century Flanked with three round gilt bronze feet and decorated with lotus flowers in different tones on a turquoise ground. An intricate wood base encloses the carved wood top, enhancing the allure of the piece. According to a letter found inside, the piece was gifted in 1921 as a gesture of gratitude between two friends. Previously acquired by Leon Wannieck in Paris (according to label underneath).
Three straw glazed pottery figures of ladies ON HOLD
Height: 21.5cm, 21cm & 13.2cm China, Sui dynasty, 6th to 7th century One of figures standing, dancing with the arms balancing, the other standing figure with large amounts of polychromatic remains, depicted as an attendant and the third figure kneeling and resting on a wooden base. There is an ancient Chinese inscription underneath each figure. A similar pottery figure described as “standing female attendant'” in the collection of the Metropolitan Museum of Art in New York under the accession number 23.180.10
Grey schist figure of a standing Bodhisattva ON HOLD
Height: 51cm Pakistan, ancient region of Gandhara, Kushan period, 2nd to 3rd century Beautiful expression and excellent rendition of the falling sanghati or Buddhist monastic robe, the torso is decorated with highly elaborate jewelry, representing the spiritual richness of the bodhisattva. Following the conquests of Alexander the Great around 330 BC, an era of Greco-Bactrian and Greco-Indian kingdoms ruled in modern Afghanistan and Pakistan, leading to the establishment of the Buddhist Kushan empire in the ancient region of Gandhara. The Kushan period during which the present sculpture was executed is widely considered the golden age of the Greco-Buddhist art of Gandhara. A similar standing sculpture of a bodhisattva in the collection of the Metropolitan Museum of Art in New York under the accession number 13.96.15
Crépuscule aux environs de Nha Trang (Dusk in the Nha Trang area)
46cm x 65cm Henri Mège (1904 – 1984) Signed, inscribed and dated 1963 on the reverse Oil on canvas
Paysage de rivière des environs de Hué (An-Nam) (Riverscape in the Hué area)
46cm x 61cm Henri Mège (1904 – 1984) Signed, inscribed on the reverse Executed around 1955 Oil on canvas
Soir prés de Nha Trang (Evening in the Nha Trang area)
27cm x 35cm Henri Mège (1904 – 1984) Signed, inscribed on the reverse Executed around 1965 Oil on wood panel
Rare blue and white baluster vase SOLD
Height: 42cm China, Kangxi period, 17th century The exterior finely painted with figures in a palace scene. Beautiful depiction of clouds and sunshine scene aside the place. The neck ornated with flowers and branches.